This SATB setting of Hildegard von Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. UCCS Professor, Colin McAllister will cross borders and traditions with music for classical guitar and strings including his own arrangement of Hildegard von Bingen's Ave generosa and Boccherini's 'Fandango' quintet. 01 Jun 2022. Sheet music: Hildegard Von Bingen - Free-scores.com Trinity Candle - God's Story In Action. . I have the final (and I really hope I do mean final) set list: which means typed, translated, formatted (this seriously is so tedious), and proofed; written down in my hard copy of the chant (which also have the translations on them, finally), and the youtube reference . Death SS - Black Mass. Margaret Rizza - Wikipedia The text is taken from the psalm Ave Generosa, written by Hildegard von Bingen. 1b. Soundtrack.Net . 2. At a time when few women wrote, Hildegard, known as "Sybil of the Rhine", p. The composer's style touches on the French romantic masters, bringing a rich variation of colors to the performance. Hildegard of Bingen was a saint, composer and poet. This year, we again prepared a brand new multicultural repertoire in diverse styles, including the joyful "Masijabule" with original Zuru text, the a cappella hymn "Ave Generosa" written by the Norwegian composer Ola Gjeilo, "I Will Arise and Go" based on W. B. Yeats' poem "The Lake Isle of Innisfree", and many other choral works in Mandarin . Tu pupilla castitatis. Gyða Valtýsdóttir - Seikilos Epitaph Lyrics | Genius Lyrics 3. This lush, flowing piece can be performed with either harp or piano. A Feather on the Breath of God is an album of sacred vocal music written in the 12th century by the German abbess Hildegard of Bingen, and recorded by British vocal ensemble Gothic Voices with English soprano Emma Kirkby. First, as we discussed before, the text is ancient and the style mimics the medieval period in which it was written…however, there are certain elements, such as the texture and harmonies which give it away as the modern piece it actually is. "Ave generosa" "O viridissima virga" . . It is also written in a non-metric time with smooth transitions between crotchet and quaver notes.
